INTERLOCKING features gently flowing shapes in blue tones. Organic lines overlap, light–dark contrast creates depth and movement—an image of connectedness and balance.
INTERLOCKING features gently flowing shapes in blue tones. Organic lines overlap, light–dark contrast creates depth and movement—an image of connectedness and balance.

INTERLOCKING

“INTERLOCKING” Gently curved shapes in vary­ing shades of blue flow into one anoth­er, form­ing a har­mo­nious weave of lines and sur­faces. The organ­ic con­tours evoke cur­rents, smoke, or inter­twined rib­bons that seem to embrace and sup­port each other. The inter­play of light and dark cre­ates depth and move­ment, while the forms appear both inde­pen­dent and insep­a­ra­bly connected—a visual metaphor for the “INTERLOCKING” of ele­ments into a bal­anced whole. “INTERLOCKING” is part of the art series “Blue in a Square”, which includes 300+ artworks.

The inter­play of the individual.

The 1980s were the era of egos. In every field, strong to down­right sick egos were the stars. The one person who man­ages every­thing, mas­ters every­thing, gets every­thing under con­trol and takes all the fame and all the money. Public per­cep­tion was defined solely by these spe­cial per­son­al­i­ties. Although this “spe­cial” already seemed to me back then and increas­ing­ly so, more like con­spic­u­ous behav­iour. Every­one had to be a winner. To assert them­selves. To be supe­ri­or. Every­where. We still feel the neg­a­tive con­se­quences of this phase today. Even though it has long since been proven that a team, a squad, the inter­ac­tion, the inter­play of a group can achieve far greater goals togeth­er than an indi­vid­ual ever could. The men­tal­i­ty of pro­duc­tive, con­struc­tive, and cre­ative col­lab­o­ra­tion has raised many things to a sig­nif­i­cant­ly higher level. It unleash­es abil­i­ties and qual­i­ties, cre­ates oppor­tu­ni­ties and chances that were com­plete­ly unknown before.
And yet there is still this long­ing for these nar­cis­sists and ego­ma­ni­acs, even though they are demon­stra­bly infe­ri­or to the col­lec­tive. But it was sim­pler – and every­thing that is sim­pler appeals more to people. The art­work “Ineinan­der­greifen” shows that you can remain an indi­vid­ual within the col­lec­tive, while the inter­play can rep­re­sent some­thing much greater.

The art­work “Ineinan­der­greifen” is only avail­able online via the Art Store on this web­site. Fill out the online form or write an email. It’s as simple as that.

Canon Fine-Art inkjet print on pre­mi­um Hah­nemüh­le Photo Rag 308 gsm paper. Art­work size freely selec­table: from at least 20 × 20 cm up to 120 × 120 cm. Mount­ed on 2 mm alu­minum Dibond with a white wooden shadow-gap frame. Pricing/quote on request, depend­ing on size and quantity.

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