VASARELY

As a child, I was con­stant­ly coaxed into vis­it­ing all kinds of art exhi­bi­tions. My enthu­si­asm back then was lim­it­ed. My fond­est mem­o­ries are of the muse­ums where you were given those felt slip­per covers that were per­fect for slid­ing. Which I did exten­sive­ly. Look­ing back, how­ev­er, a number of art­works and with them sev­er­al artists, have stayed with me for­ev­er. It’s crazy how we are shaped, edu­cat­ed, trained with­out even notic­ing it.

Vasare­ly is one of them. His way of look­ing at the world drew me in like magic. The math­e­mat­i­cal aspect of his images. The archi­tec­tur­al qual­i­ty in his works. The graph­ic qual­i­ty. What com­plex worlds can be cre­at­ed from simple geo­met­ric forms. To this day, it shapes my view of graph­ic design. That clar­i­ty. That pre­ci­sion. And that sense of the impres­sive. When I quote from my pos­i­tive memory cul­ture, Vasare­ly must not be miss­ing. My fas­ci­na­tion with his works has not dimin­ished to this day. That’s how for­ma­tive my slid­ing ses­sions were.

The art­work “Inter­pre­ta­tion Vasare­ly” is my trans­for­ma­tion, my translation—my inter­pre­ta­tion into my visual lan­guage. This way, I can now hang some­thing sim­i­lar on my wall. And, remark­ably, it has almost the same effect on me. If you are inter­est­ed in a work, or this work, from the series, all you need to do is fill out the online form or send an email. I will respond prompt­ly with a detailed quote and a pro­posed deliv­ery date.

Canon Fine-Art inkjet print on pre­mi­um Hah­nemüh­le Photo Rag 308 gsm paper. Art­work size freely selec­table: from at least 20 × 20 cm up to 120 × 120 cm. Mount­ed on 2 mm alu­minum Dibond with a white wooden shadow-gap frame. Pricing/quote on request, depend­ing on size and quantity.